Friday, August 21, 2009

The Southern Table

The idea was to create an exhibit that showcased each southern state together in one place - literally at a table. The journey to begin to set the table has been arduous. I have been so surprised at how difficult it has been to gather the place settings. Although not all of the place settings have arrived, we are beginning to lay out this exhibit. Then we will see what holes we have to fill.

A curious fact is that Washington, DC, a mere city, has no official residence and no official china. So we have been able to decide for ourselves what should represent Washington, DC on the table. Louisiana and Arkansas have provided handmade place settings. Some states have provided official place settings.

But starting to see the exhibit take shape has made me see how the metaphor of all of the states gathered at a table is really touching and powerful. Next week we will begin posting photos of the table. I would love to see a huge exhibit with a place setting from every state in the US.

Your ideas for the table, menus and books, other table props would be appreciated.

Friday, August 14, 2009

Lessons Learned in Graduate School

Oftentimes graduate students can become so passionate about their field that we don’t do what journalists or even Phd students always do, go to the source. In an academic paper I published for the University of Toronto, Food Conjures Memory: Making Memory in the Museum, I made some assumptions about British culinary historian Ivan Day. Day contacted me through SoFAB and said:

Dear Zella,

I have read with interest your paper entitled "Food Conjures Memory". I enjoyed your argument and agree with most of your conclusions. However, I feel rather surprised that you should conclude from a brief online resume of a course I offer on sugar and. confectionery, that I am guilty of the following. "By blatantly omitting or silencing any mention of the historical contributions of others, historians and museologists perpetuate the same imperialist ideology that have affected the world for centuries".
My confectionery course lasts two days and though it is a practical session, the imperial aspects of the sugar trade are actually explored in considerable depth. In fact, I am offering a free place on this particular course so that you can see for yourself what it is really about. On the contrary, I curated an exhibition here in the UK at Harewood House 7 years ago that explored the whole issue of the sugar trade in the eighteenth century. I contrasted the excesses of luxury enjoyed by the British patrician classes at the dessert table with the horror and privatization of the lives of the plantation slaves who produced the sugar that graced their exuberant desserts. In one room, an elaborate table setting shared a space with an original copy of a slave purchase ledger that belonged to the Lascelles family who built Harewood House. The Lascelles family owned extensive plantations in Barbados and the luxurious house they built was funded by money made from human misery. We made this very clear in this particular exhibit. I am sorry I do not have your direct email address and have sent this to the Southern Food and Beverage Museum in the hope that it gets passed on to you. Good luck with your internship there and I look forward to your reply.

With every best wish,

Ivan Day

Needless to say I learned my lesson and I want to share this lesson with all students out there. GO TO THE SOURCE! Never assume that everyone is part of some evil conspiracy. Lol. When I wrote this paper I was reading some pretty heavy books about food globalization and exploitation. Although, I stand by my argument in my paper I did make the mistake of not contacting Ivan Day directly to ask him what he felt about the sugar trade. But this is the point of Graduate School to learn from your rights and wrongs. So, I would like to make a formal apology to Mr. Day and to thank him for his well wishes even after I made some negative accusations about his work. We sure would love to do something with you in the future at Southern Food & Beverage Museum and I can sit down with you and sweeten you up with pralines, Red Velvet Cake and Bananas Foster! Please find out more about Ivan Day @ http://www.historicfood.com/portal.htm

*Ivan has an international reputation for his research on British and European culinary history. As well as a scholar, broadcaster and writer, he is also a gifted professional cook and confectioner. He is noted particularly for his re-creations of meals and table settings. His work has been exhibited in many museums, including the Paul Getty Research Institute, Philadelphia Museum of Art, the Museum of London, Fairfax House, the Bowes Museum and the Rothschild Collection.

Tuesday, August 11, 2009

St. Joseph's Altar

It has been a long time since I have posted on this blog. I have spent my time writing on Facebook and Twitter and I have not had something organized and longer to say. But now I do.

At SoFAB, we were the beneficiaries of the helping hands of students and faculty from Livingstone College in Salisbury, NC. These wonderful people gave us an entire day. They removed a wall that was standing behind the St. Joseph's Altar, and which opened up a new gallery where we plan to expand our exhibits. The Altar was placed in a niche created by a false wall in an archway. It looked nice there, but was often unseen. It was out-of-the-way. The students moved the altar carefully and reassembled it in an area that has better light and that can be seen on all sides. The altar is now garnering comments from visitors and resulting in lots of questions about the St. Joseph's celebration.

It is amazing how placement makes a difference. We thought that we had placed the altar in a place of prominence. But we hadn't. We had tucked it away. It is being appreciated and explored now. A welcome, but unintended by-product of the volunteers' work.

Wednesday, June 24, 2009

Leah Chase Louisiana Gallery


I think the world of Leah Chase. She is one of those people who, without being sickly sweet (I think she is peppery), is wonderfully loving and generous. She is a supporter of the arts and music, someone who was creative and innovative, someone who raised a terrific family, worked hard, and never forgot to embrace the world through food. She is a tireless supporter of the city of New Orleans and the state of Louisiana.

There will be a dedication ceremony - including Chef John Folse - to celebrate the naming on July 1. But the excuse for fun, for the celebration of Leah Chase, will happen at SoFAB on July 2. Tickets are still available on line and at the door. This will be a wonderful event with great food and drink.

Join us in celebrating this remarkable woman.

Here is the new drink, the Creole Queen, developed just for her.

Muddle
1 to 2 mint leaves
1 to 2 strawberries
Mint Turbonado
Simple Syrup to taste
dash of Peach bitters
Splash of Obsello Absinthe
1 1/2 ounces Port of Barcelona Gin
on the rocks

Monday, June 22, 2009

Irrevent Cookbook Pokes Fun at Battle of Sexes

The other day we received a great donation to our cookbook collection titled “The Chauvinist Guide to Gourmet Entertaining” by Stan Fedyszyn. It’s a paperback; has a copyright from 1980; and is 190 pages. It sold for $5.95.

The book focuses on eight complete, seven-course dinners in American, French, Russian, Poynesian, Chinese, Polish, Mexican and Italian cuisines.

As you might guess, this book has an interesting viewpoint. It is designed, as it says in the introduction, to be used “against the enemies of the Male Chauvinist Pig.” The goal of the book is to show men how to cook to impress a woman. In fact, the woman is referred to as “the Fox” throughout the book.

Here’s another passage that you might find interesting:

“What we have tried to do is create a system where a good cook can be made to look like a super one by playing on her sympathies and her naïve prejudices. For instance, no Chinaman in his right mind would eat the Chinese meal the way we suggest that you serve it. The Chinese prefer a style akin to the buffet, as opposed to courses. But she, the Fox, won’t know that. In all the movies she’s watched on the Late Show, Cary Grant and Kate Hepburn eat seven course meals. That’s what she wants and that’s what she’ll get, regardless of what the Chinese Embassy says.”

Classy stuff, eh? So far, I’m just quoting from the introduction, which comes with a serrated edge with instructions from the author to cut it out and burn it once it has been read.

Are we happy to have this book? Of course. It’s not just another gimmicky cookbook that is trying to find its niche. It’s an artifact that is of tremendous value to us and to researchers and scholars down the road. They’ll be might amused by this bit of culinary history.

Friday, June 19, 2009

Memories of Leah Chase, Creole Queen

At 16 years old, my high school best friend Cyrene invited me to New Orleans to visit her older sister in college, I was thrilled. When I came to New Orleans in 1992, I immediately fell in love. Eating beignets, jambalaya, drinking on virgin daiquiris and hearing New Orleans music wherever we went was a treat for two Midwestern girls from Chicago. Yet when Cyrene’s older sister took us to Dooky Chase’s restaurant, I literally lost it. We walked into her restaurant which was surrounded by an art collection that was good enough to exhibit in any major art museum. We toured the restaurant like we were in an art gallery. When it was time for us to be seated, the intoxicating smell of Creole spices from the kitchen floated us to our table where we devoured Leah Chase’s food made with love. Chase, walked over to us with a glowing grin and asked us if we were from New Orleans where we responded that we were from Chicago but Cyrene’s sister was in college in NOLA. We politely remembered our manners and answered with, “Yes Mam, No Mam,” until she gave us some quick advice and walked off to attend the kitchen. I always admired women like Leah Chase. She reminded me a lot of many women I know or read about but particularly one of my idols, the Cuban singer Celia Cruz(now deceased)who likewise created a community filled with love based on her artistic talent and jovial spirit. Leah Chase, a woman of poise who would freely praise or scold to no matter who it is. Chase is truly a New Orleans legend and anyone who ever met her and had the chance to eat her amazing food is forever touched by her beautiful human spirit. So now that I am older, meeting Leah Chase again was like that really good wedding cake frozen in the freezer for 1 year and brought out only to relive the sweet memories again. Likewise, planning for an exhibit in her honor, making sure that the gala event is a huge success, researching and speaking with her is a pleasure for all of us at SoFAB and we all look forward to honoring her on July 2, 2009 at our gala event. So come out New Orleans to celebrate the life and achievements of the Creole Queen, Leah Chase!

Saturday, June 6, 2009

Why I Love this Job!

I could be accused of being obsessed with my work. I am not a detail person, but I cannot find a detail too small that is related to SoFAB. I worry about smudges on the the glass doors and new ideas for partnerships and projects. But the most fun is our programming. This Monday night we have a fabulous program that I am looking forward to sharing with everyone. It is free to members and free with admission to everyone else. Three terrific chefs will be in the museum doing great things for us and serving their food, Chris DeBarr of The Green Goddess Restaurant, Michael Farrell of Le Meritage, and Adolfo Garcia of Rio Mar. That food will be paired with great spirits from Esmeralda Distillery, Obsello Absinthe Verte and Port of Barcelona gin. Join us for our spirited tasting!

This is not a blog full of questions. This is a blog of happiness. I look forward to sharing with everyone, drinking with everyone, eating with everyone, on Monday night. What could be better than that?